![]() ![]() Use in performance has been amply catered for with the two footswitches, each having multiple functions. While the hands-on knob tweaking is great here, the EDM software makes it even easier with every parameter laid out in front of you, as well as instant access to Eventide’s 28 carefully programmed factory presets, which really explore the unit’s capabilities. There’s a world of esoteric soundscapes waiting to be dialled in with ethereal evolving pads built from reverb, delay and modulation nestling behind your playing. In fact, its forte is long lingering clouds of uniquely textured ambience. This pedal is more about creating otherworldly spaces. There are some conventional reverbs to be coaxed out of the pedal – and yet the Blackhole is not about halls, rooms and so on. With all of those parameter choices, there’s a staggering range of unusual ambiences available here. ![]() producing a mild chorus or a more extreme detuning effect. It’s also possible to add modulation via the Rate and Depth knobs. The Decay character of the reverb tail can be adjusted by the Gravity knob, gradually increasing the duration and density of a conventional fading envelope to its right, and offering the same for a reverse decay to its left for a trippier vibe.īesides these, you can add up to two seconds of pre-delay before the main body of the reverb kicks in, and there’s a Feedback knob, adding repeats to extend the effected sound further up to an Infinite mode where you can continuously layer new sounds on top of a suspended reverb.Ī pair of Lo and Hi filters takes care of conventional tonal tasks such as reducing low-end murkiness or taming/enhancing the high-end, and there’s variable resonance for these so you can turn a simple treble boost into an edgy metallic sheen, for example. ![]()
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